Publications (selection)



Editing work

  • Muße und Moderne. (mit Tobias Keiling und Robert Krause). Tübingen: Mohr Siebeck. 2018.
  • Muße. Ein (E-Journal, seit 2015)
  • 14Magazin Freiburg. (Chefredaktion 2015 - 2017)



Further articles on the intersections of medicine and mobility and 19th century transmedial practices are in preparation.


  • “Against the ‘Myth of Non-Mediation’: The Materiality of Live Theatre Broadcasting.” In: Making Matter Matter: Literary Materialisations on Page and Stage, eds. Ingrid Hotz-Davies, Martin Middeke and Christoph Reinfandt. (in preparation)
  • “The Semantics of Surfaces: Victorian Panoramas, the Panoramic Gaze and Thereness.” In: Victorian Surfaces: Skin, Silk, and Show in Nineteenth-Century Literature and Culture, eds. Sybille Baumbach and Ulla Ratheiser. (under review).
  • “‘These Seats Are So Comfy’: Livecasting and the Notion of Comfortable Theatre. In: (Dis)Comfort in Contemporary Literature and Culture – Theories, Developments and Case Studies, eds. Stella Butter & Dorothee Birke. Bielefeld: transcript. (to be published in 2020)
  •  2019. “In Appreciation of ‘Mis-’ and ‘Quasi-’: Quasi-Experts in the Context of Live Theatre Broadcasting.” Platform, Special Issue ‘On Criticism’ 13.1: 86-102.
  • 2019. “Herodias’ Story, Herstory – Kazimiera Zawistowska’s Poetry, Young Poland, and Female Decadence.” In: Volupté: Interdisciplinary Journal of Decadence Studies 2.1: 39-56.
  • 2019. “Emancipating the Spectator? Livecasting, Liveness, and the Feeling I.” In: Performance Matters. Special Issue on 21st-century Shifts in Spectatorship and Audience Research 5.2: 6-23.
  •  2019. “Female Idling and Social Critique in Mary Shelley’s Rambles in Germany and Italy, 1840, 1842, 1843 (1844).” In Nineteenth-Century Gender Studies 15.3.
  • "The Female Hipster as Emancipated Spectator: The Emancipatory Aspects of Representations of Female Hipsters in Girls and Frances Ha.“ In: Heike Steinhoff und Eric C. Erbacher (eds): Hipster Culture. A Reader. (in preparation)
  • 2017. Muße. Ein Magazin. Issue 5. (co-edited withMartin Büdel)
  • 2018. "Walking the (Open) City – Vom viktorianischen München ins postmoderne New York.“ In: Tobias Keiling/Robert Krause/Heidi Liedke (eds.): Muße und Moderne. Tübingen: Mohr Siebeck. 202-220.
  • 2018. "'The Sheepish Fear of Deserting the Common Track is Upon Us' – The Emotional Assessment of Space and Time in Victorian Guidebooks and Travel Literature.“ In: Barbara Franchi / Elvan Mutlu (eds.): Victorian Spaces and Imperial Travel. Cambridge Scholars. 132-149.
  • 2016. "W. H. Hudson and Bruce Chatwin in Patagonia – The Phantasy of Disappearance.“ In: Fréderic Regard / Nicoletta Brazelli (eds.): Textus. English Studies in Italy 29.2 (At the End of the World: Extreme Places of the British Imagination), 95-107.
  • "Von der Berechenbarkeit der Muße – George Orwells Books v. Cigarettes.“ In: Muße. Ein Magazin 4.
  • 2016. "Oisiveté et écriture dans Un flâneur en Patagonie de W. H. Hudson (1893).“ Translated by Ann Pevoski and Clara Schwarze. In: Thomas Klinkert (ed.): Otium et écriture dans la littérature du xixe et du xxe siècles. Grenoble: Ellug, 107-127.
  • "Idling in London. Zwischen Muße und Kommerz.“ (with Henrike Manuwald) In: Muße. Ein Magazin 2.
  • Muße. Ein Magazin. Ausgabe 2. (co-edited with Kerstin Fest)
  • 2014. "'...and now is the time I want it.' Laurence Sterne's A Sentimental Journey read as Romantic Ramble versus Ego Trip.“ In: Bandry-Scubbi, Anne & Rémi Vuillemin (eds.). Real and Imaginary Travels. 16th-18th Centuries. 57-67.



  • 2020. Review of Shakespearean Celebrity in the Digital Age by Anna Blackwell (Basingstoke: Palgrave Macmillan, 2018). In: Zeitschrift für Anglistik und Amerikanistik (ZAA) 68.1: 96-99.
  • 2019. Review of Nineteenth-Century Fiction and the Production of Bloomsbury by Matthew Ingleby (Basingstoke: Palgrave Macmillan, 2018) In: BAVS Newsletter 19.3: 2-3.
  • "Jim Jarmuschs Paterson (2016) – Dichter der eigenen Angelegenheiten.“ In: Muße. Ein Magazin 5 (2017).
  • "Lana del Rey: Der fahrige Narco Swing einer faulen Frau.“ In: Muße. Ein Magazin 3.
  • "Ida und Wanda – Und es wurde still.“ In: Muße. Ein Magazin 2.
  • "Der Klang der ‚primitiven’ Muße. Deichkind – Arbeit Nervt.“ In: Muße. Ein Magazin 1.